Three wax relief are set into a transparent fish bowls. These three pieces of work are installed on a circular wooden board which is suspended from the ceiling and well away from an eye level view.

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On the ceiling a circular mirror of the same size as the wooden board is set in a slightly off position. The audience can only view the works through the reflection of the mirror. This direct denial of a viewership forces the viewer to reflect upon the ideas of access within public realm and more importantly towards the voyeuristic tendency over delicate affairs. 

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